Now Ines, an artist trying to cope with unfavourable reviews of her latest exhibition, has accepted Emilie's invitation to accompany her on a short trip to an unknown place in the heart of Europe.

The hotel Emilie has chosen for the first few days of her stay is very luxurious, as is the restaurant where she plans to dine; she evasively explains to her sister that she has sold her flat because she wants to go back to studying.

For the unsuspecting Ines, it is the moment of truth: Emilie reveals to her that she has cancer, has been undergoing unsuccessful treatment for three years, and has therefore chosen assisted suicide; the place to which she has taken her is actually an exclusive clinic where patients can spend their last six days in complete peace before taking their own lives by poisoning themselves after a simple ritual.

In fact, during their stay, the two will repeatedly confront each other harshly about their conflicting life choices: Emilie has remained close to her mother, who fell into depression because of her separation from her husband, until her suicide; Ines soon distanced herself from her, accused her of weakness and victimhood, and did not even go to the funeral, building a nice career as an excuse for her constant absence and creating a kind of armour of rationality and self-preservation.

[2] In an early 2016 interview, Langseth confirmed that her third feature film would discuss the rising phenomenon of assisted suicide in Europe, and was described as taking place in a "fictional euthanasia clinic.