Europa regina

The Holy Roman Empire (Germania and other territories) is the centre of the torso, with Bohemia (sometimes Austria in early depictions) being the heart of the woman (alternatively described as a medallion at her waist).

[3] During the European Middle Ages, maps typically adhered to the Jerusalem-centered T-O scheme, depicting Europe, Asia and Africa.

[4] The Putsch-map was the first to depict Europe as an Europa regina,[5][4][6] with the European regions forming a female human shape with crown, sceptre and globus cruciger.

[6] Europa Regina was introduced in the 1530s by the Austrian cartographer Johannes Putsch, possibly with the intent of depicting Europe as the spouse of Charles V of Habsburg, who aspired to become the universal monarch of Christendom and reigned over numerous realms including the Holy Roman Empire and the kingdom of Spain.

[3][7] Arguments in favour of this hypothesis are: the westward orientation of the map to have Hispania as the crowned head, said to resemble the face of Charles V's wife, Isabella of Portugal; the use of the Holy Roman Empire's insignia – its crown, sceptre and orb – and the portrayal of Habsburg realms (Austria, Bohemia, Hungary, Germany) as the heart and centre of the body; and the design of the gown, which resembles the contemporary dress code at the Habsburg court.

[9][7][3][10] As in contemporary portraits of couples, Europa regina has her head turned to her right and also holds the orb with her right hand, which has been interpreted as facing and offering power to her imaginary husband, the emperor.

[10] Outside this and in more general terms, Europe is shown as the res publica christiana,[7] the united Christendom in medieval tradition,[3] and great[1] or even as the dominant power in the world.

Europa regina in Sebastian Münster 's " Cosmographia ".