Eve Andree Laramee is an installation artist whose works explores four primary themes: legacy of the atomic age, history of science, environment and ecology, social conditions.
[6][7] Laramee believes that, "by sharing innovations, art-and-science collaborations can energize action to initiate positive social change and promote awareness of environmental and health issues by directly involving communities, extending ways in which cultures imagine, create and understand.
[17][18] She is currently the executive director of ART/MEDIA for a Nuclear Free Future, an offshoot from ART/MEDIA, a social sculpture founded in 1984 that supported public art works presented in the mass media and created by such invited artists as Jenny Holzer, Hans Haacke, Rachel Rosenthal, Terry Allen, and others.
[21] An installation comprising videos, kinetic sculpture, photography, and an archive of government documents, Halfway to the Invisible exposes the environmental legacy of uranium mining in the American Southwest.
[22] This photo and video installation is a post-atomic science fiction Western featuring twelve time travelers exploring the desert locations of the Yucca Mountain nuclear waste repository, the Nevada Test Site (NNSS), and Death Valley National Park.
[23] This installation of magic lantern styled video sculptures, faux historic devices, and didactic text referencing Darwin's late work on metaphysics.
Collaborating with environmental scientists, Laramee created Sediment Profile Imagery using benthic disturbance mapping of the river bottom documenting the channels where 80,000 tons of sludge were dredged and relocated to the ocean floor.