[5] Genevieve Oliver of Pretty Much Amazing called the song a "sexy disco track" with elements of "euro-pop deconstructed and stark piano chords, a beat so irresistible it might as well have been constructed in a lab, and awesomely edited vocals, this is the kind of dark-pop jam-of-all-jams that comes along only once in a while".

[6] Katherine St. Asaph of Popdust gave a mixed review stating, "[Little Boots] can't quite deliver the chorus like a true diva—her voice's too composed, not quite big enough—but fortunately, that's the only time she tries."

St. Asaph continued, "The verses suit her much better; instead of going over the top, she processes her vocals to the texture of liquid metal, distant and slippery enough with reverb to slide right off the key into its cracks.

"[7] Bradley Stern of MuuMuse stated the track "tip-toes in between warm washes of '90's club pulsations, weird ambient noises bubbling in the background and a gorgeous piano melody [...] It's like stepping back in time, Rhythm of Love style!

[10] Michael Roffman of Consequence of Sound described the video as a combination of "Van Halen's Crystal Pepsi commercial for 'Right Now' with anything Madonna did during her Erotica-era.