Friedrich Wilhelm Marpurg

There, he became acquainted with intellectuals including the writer and philosopher Voltaire, the mathematician d'Alembert and the composer Jean-Philippe Rameau.

Marpurg is most likely at the source of a two-centuries misunderstanding that J. S. Bach would have been using the equal temperament for the performance of "Das Wohltemperirte Clavier", because of his publication "Versuch über die musikalische Temperatur", 1776.

After he had attained his lottery position in 1763, he penned two works on this topic but continued to write on wider areas of music.

His Handbuch bey dem Generalbasse und der Composition and the translation of d'Alembert's Elémens de musique stand at the beginning of Rameau's reception in German harmonic theory.

His journal projects continued to promote the institution of German music criticism in the wake of Mattheson and Scheibe; his Kritische Briefe über die Tonkunst contains significant contributions to the theory of meter, the esthetics of the ode and other topics of current interest.

Friedrich Wilhelm Marpurg, German music critic in the Age of Enlightenment. Etching by Berol after a drawing by Friedrich Kauke (1758).