Fanny Churberg

[1][2] Her father, Matias Churberg, was a doctor from a family of farmers and her mother Maria was the daughter of the vicar in Liperi parish, Nils Johan Perander.

[1] She started her artistic training in Helsinki in 1865 with private lessons from Alexandra Frosterus-Såltin, Emma Gyldén [fi] and Berndt Lindholm.

Although Churberg remained to a large extent within the conventions of the Düsseldorf school of painting, she openly expressed her enthusiasm for the countryside and its dramatic situations, relying above all on colour and a fast brush technique to do so.

The charged quality of her work differed sharply from that of her contemporaries, as did her subjects, for example the tense atmosphere before a thunderstorm in the open country or the deep, swampy heart of the forest.

[3][circular reference] She urged Finnish women to join the Friends' effort to revive textile practice in Finland.

Young Churberg in the early 1860s