He grew through the ferment of Roman avant-garde theatre, both as an actor and backstage, developing – at the same time – a strong interest in animation and special/optical effects for filmmaking.

From 1980 he experimented with filmmaking riding the transition from traditional to digital imaging, producing several works mixing analogical and numerical techniques in film and multivision.

As a film director he directed several documentaries and three short movies before making his first feature film Sembra morto ma... è solo svenuto in 1986, written with Gianni Di Gregorio and Sergio Castellitto, who is also the protagonist.

He spent many years directing motion pictures, developing a great interest both in film drama research and in the new expressive challenges coming from compositing images and sound in the new multi-layer virtual environments.

His film Bidoni (1995) was the first Italian movie edited in Avid environment.