One of the statues she presented at the event, Queen Christine of Sweden Refusing to Spare the Life of Her Equerry Monaldeschi, was awarded the gold medal, which the artist received from King Charles X, who looked to De Fauveau to promote the ideals of the Restoration.
After two squelched uprisings in the early 1830s and six months in prison, De Fauveau joined her mother in Florence in 1834, where she vowed to remain in voluntary exile until the Count of Chambord was crowned king of France, a hope that never materialized.
De Fauveau's works were coveted by the city's Russian ex-pats including Anatoly Nikolaievich Demidov, 1st Prince of San Donato; the artist received multiple commissions from the industrialist and enjoyed the friendship of his wife Princess Mathilde Bonaparte, niece of Napoleon.
A representative of the troubadour style, De Fauveau's Florentine works include an ornate Neo-Gothic holy water font at the Pitti Palace and the monumental tombs of Sir Charles Lyon Herbert and Lady Harriet Frances Pellew, at the English Cemetery in Piazzale Donatello.
[3] Santa Maria del Carmine's Monument to Anne de la Pierre, which the artist created in 1859 depicts a realistic portrait of Fauveau's mother.
De Fauveau's life and works are featured in the original documentary in English and Italian A French Sculptress During the Grand Tour, produced by AWA and Art Media Studio.