Feng Boyi (Chinese: 馮博一; born 1960) is an independent art curator and critic in China.
Feng Boyi has been known to be an instigator to the up-and-coming contemporary art movement in Beijing, starting with publishing articles and journals from artists Ai Weiwei and Xu Bing.
[5][6] This series not only dealt with the topic of modern, contemporary art but also reflected the political ideas of Ai Weiwei.
It attracted much attention and led the way to more and more contemporary art shows and exhibits, which were not popular or open to the public.
All these only-children were often lonely and needed new mediums of expressing themselves, which eventually resulted in the attempting contemporary art that challenges society.
[4] "Fuck Off" (Chinese: 不合作方式; pinyin: Bù Hézuò Fāngshì) was an art exhibition held by Feng Boyi and Ai Weiwei during the Third Shanghai Biennale in 2000.
Among the works was Sui Jianguo's enormous concrete sculpture "Mao's Right Hand", which is just what the name suggests, and an example of modern Chinese art's ironic reflections on history.
Female artist Xiong Wenyun created a workshop for kindergartners titled Rainbow-Colored Pens: An Experimental Painting Class for Children.
Feng Boyi was attracted to this interesting concept of trying to open the minds of children to appreciate art starting at a young age.