Rusuti belonged, along with Jacopo Torriti and Pietro Cavallini, to the so-called Roman school active in the late thirteenth century.
Art historians believe that the lower register of the same mosaic, with the stories of the founding of the Santa Maria Liberiana, is to be considered an intervention a few years later by the followers of Rusuti based on his drawings.
It was rebuilt for the presence of Rusuti (with his son John) in Poitiers, on the basis of a more careful reading of documents (now lost) which attest to a Filippus Bizuti or rather Ruzuti in 1309, in 1316–17, in the service of the king of France, but perhaps also in the wake of a column at the papal court in Avignon.
Around 1319 Rusuti went to Naples at the Angevins court following Cavallini for the fresco decoration of the church of Santa Maria Donna Regina Vecchia, where his figures are probably the Prophets.
In early June 2010, the artist and scholar Alfred Breitman attributed frescoes discovered in a tower of the palace Senate in the Capitol to Filippo Rusuti, with the consensus of historians of ancient art.