It stopped printed publications due to poor sales and transitioned to an all-digital format in January 2018.

[1][2] From the 1960s onwards, it gradually became independent of Catholic hierarchies and principles.

[3] In 2013, the magazine was rebooted with renewed contents and design, but it failed to significantly improve its sales.

[3] The Germany's oldest publication of film criticism, as of 2015 it had a paid circulation of less than 3,000 copies.

[3] In January 2018 it was relaunched in an online form, with improved content.