The work was artistically and financially produced by the composer himself and gained international fame when Sony Classical bought the rights in 1994 for worldwide distribution.

"[1] The score has been used a numerous times for art-firework-performances and hundreds of dance and ballet creations all over the world.

This new, operatic and more extended and purely acoustic version, which seems far more complex in rhythm and tonality (read: a-tonality), -published in 2005 by Schott Music International (Mainz/New York) as first part of 'The Accacha Chronicles'- did not premiere yet.

Sony Classical USA considered that the European cover, based on the labyrinth of Chartres (France), (originally a huge painting by the Japanese/Belgian artist Peter Bal) was too intellectual and arty for the American market.

The American cover with the doubled androgynous angel face was designed by the New York artist Amy Guip.