Flightplan is a 2005 mystery psychological thriller film directed by Robert Schwentke from a screenplay written by Peter A. Dowling and Billy Ray.
It stars Jodie Foster as Kyle Pratt, a recently widowed American aircraft engineer living in Berlin, who flies back to the U.S. with her daughter and her husband's body.
[N 1] It also features Peter Sarsgaard, Erika Christensen, Kate Beahan, Greta Scacchi, Sean Bean, and Matt Bomer in his film debut.
Recently widowed Berlin-based American aviation engineer Kyle Pratt takes her husband David's body back to the United States with her 6-year-old daughter Julia, aboard an aircraft she helped design, a brand new double-decker Elgin E-474 operated by Aalto Airlines.
At a panicked Kyle's insistence, Captain Marcus Rich conducts a search of the aircraft, while sky marshal Gene Carson monitors her.
In the ensuing chaos, she rides a dumbwaiter to the lower freight deck and unlocks David's casket, suspecting Julia to be inside, but finds only her husband's body.
Carson escorts her to her seat in handcuffs, and explains that the flight is making an emergency stopover at Goose Bay Airport, in the Canadian province of Newfoundland and Labrador, where she will be taken into custody.
She detonates the explosives, killing Carson and damaging the aircraft's landing gear, but she and Julia emerge unscathed as the crew realize she had been telling the truth all along.
His original pitch for producer Brian Grazer involved a man who worked on airport security doing a business trip from the United States to Hong Kong, and during the flight his son went missing.
A few years later, Billy Ray took over the script, taking out the terrorists from the story and putting more emphasis on the protagonist, who became a female as Grazer thought it would be a good role for Jodie Foster.
Both Dowling and Ray were allowed to visit the insides of a Boeing 747 at the Los Angeles International Airport to develop the limited space set for the story.
[4] The film also draws on Alfred Hitchcock's The Lady Vanishes, in which an older woman goes missing on board a train and only one passenger remembers her, especially in the scene where Kyle discovers the heart drawn by her daughter on the plane window.
For instance, a white room for "eerie, clinical, cold" moments, lower ceilings for claustrophobia, and wide open spaces to give no clues to the audience.
[6] Most exterior scenes of the E-474 involve a model one-tenth of the aircraft's actual size, with the images being subsequently enhanced through computer-generated imagery.
Horner stated that film's score tried to mix the sound effects with "the emotion and drive of the music", and the instruments were picked to match the "feelings of panic" Kyle goes through.
"The aircraft is a fictional mammoth airliner called the 'E-474', a double-deck jumbo modeled strongly after the Airbus A-380, the large size being suitable for the missing-person plot of the film.