[1] Particularly in the Hebrides, elements of the Clan Donald remained faithful, despite religious persecution, to the Catholic Church, but Flora came from South Uist's Protestant minority.
[1] MacDonald was visiting Benbecula in the Outer Hebrides when Prince Charles and a small group of aides took refuge there after the Battle of Culloden in June 1746.
[6] Passes were issued allowing passage to the mainland for Flora MacDonald, and a party of eight, including Charles disguised as an Irish maid called Betty Burke.
After Lady Margaret interceded on her behalf with the chief Scottish legal officer, Duncan Forbes, she was allowed to live outside the Tower under the supervision of a "King's Messenger", and released after the June 1747 Act of Indemnity.
[12] When the American Revolutionary War began in 1775, Allan raised the Anson Battalion of the Loyalist North Carolina Militia, a total of around 1,000 men, including their sons Alexander and James.
Early on the morning of 27 February, they were ambushed at Moore's Creek Bridge by Patriot militia led by Richard Caswell and along with his troops, Allan MacDonald was taken prisoner.
[14] After 18 months in captivity, Allan was released as part of a prisoner exchange in September 1777 and posted to Fort Edward, Nova Scotia as commander of the 84th Regiment of Foot.
[15] After a harsh winter in Halifax, Nova Scotia, in September 1779 MacDonald took passage for London in the Dunmore, a British privateer; during the voyage, she broke her arm and ill-health delayed her return to Scotland until spring 1780.
[16] She spent the next few years living with various family members, including Dunvegan home of her son-in-law Major General Alexander MacLeod, the largest landowner in Skye after the MacDonalds.
[20] [c] Her cousin, Gaelic poet Niall mac Eachainn, criticised her in verse for trying to win favour from both Stuarts and Hanoverians, while contrasting his own continuing loyalty to the Jacobite cause.
[22] Inspired by the novels of Sir Walter Scott, the Victorian era created a Scottish cultural identity that co-opted "romantic" icons like Mary, Queen of Scots and Prince Charles.
[1] This was soon followed by the first performance of the Scottish highland dance known as "Flora MacDonald's Fancy", while a bronze statue was erected at Inverness Castle in 1896, with her dog Flossie by her side.