Florence Baschet

She entered the Conservatoire national supérieur musique et danse de Lyon in 1988 (SONVS department) where she studied musical composition and sound transformations by electroacoustic means.

She then received numerous commissions, including from the IRCAM, Radio France, the Ensemble 2e2m and the Groupe de recherches musicales, the Festival Manca, the Festival Why Note and the Ensemble l'Itinéraire whose artistic director and composer Michael Levinas actively supported her work.

and the Conservatoire d'Annecy [fr] from 2003 to 2005, then in 2005 in Dijon with the Ensemble L'Itinéraire and in 2006 at the Grame in Lyon.

One of the guiding principles of her work is the critical integration of a natively instrumental vocabulary into her writing.

The continuation of her research at Ircam leads her to work in the field of mixed music, which combines the soloist with the electroacoustic device in a particular interactive relationship linked to the instrumental gesture and which seeks to highlight the phenomena of interpretation on which sound transformations will depend.