In the case of the CRT-based scanner, as an electron beam is drawn across the face of the CRT it creates a scan that has the correct number of lines and aspect ratio for the format of the signal.
Its light passes through the image being scanned and is converted to a proportional electrical signal by photomultiplier tube(s), one for each color (red, green, blue), that detects the variations in intensity of the beam spot as it scans across the film, and are converted to proportional electrical signals, one for each of the color channels.
The advantage of the FSS technique is that as colour analysis is done after scanning; simple dichroics may be used to split the light to each photomultiplier —and there are no registration errors, as would have been introduced by early electronic cameras.
The light from the CRT camera was then picked up by special "scoops" housing 4 photomultiplier tubes (2 for red, 1 for green, and 1 for blue), which then would provide video of the talent in the studio.
Flying-spot scanners were replaced with charge-coupled device Line Array – CCD for imaging and a white light to the film.