Christopher Riley

He has a PhD from Imperial College, University of London where he pioneered the use of digital elevation models in the study of mountain range geomorphology and evolution.

[12] Riley directed on the spinoff six-part series Moon Machines for the Discovery Channel in 2008, which celebrated the 400,000 engineers who'd made the Moonshots possible.

With NASA's blessing, the pair worked to restore and remaster the feature film and re-released it in time for the 40th anniversary of the flight of Apollo 11 in July 2009.

[14] At the Cheltenham Science Festival in 2009 he presented research conducted with forensic linguist John Olsson on the recordings of Neil Armstrong's first words spoken on the surface of the Moon in July 1969.

[16] In 2011 Riley teamed up with the European Space Agency and Italian astronaut Paolo Nespoli to make the feature-length documentary First Orbit which re-created Yuri Gagarin's pioneering spaceflight Vostok 1.

The same year Riley collaborated with Neil Armstrong's family to produce and direct the biopic First Man on the Moon, which premiered on BBC Two at the end of 2012 and on PBS Nova in December 2014.

The film includes interviews with his son Carl, his daughter Michelle and his sister, physicist Joan Feynman who Riley subsequently wrote a short biography about.

[20] In 2014 he produced and directed a documentary about American neuroscientist John Lilly's controversial 1960s attempts to build an interspecies communications bridge between humans and dolphins.

The film included the only onscreen interview recorded with the female researcher at the centre of the work - Margaret Howe Lovatt, who had reportedly developed a close relationship with one of the animals.

[28] The film tells the life story of death row prisoner Nicholas Yarris, and took Riley over seven years to make, working without funding for the project for much of that time.

[50] The work was screened again in Montreal, Quebec, in November 2009, as part of an exhibition at the Canadian Centre for Architecture called 'Intermission: Films from a Heroic Future', which Riley also helped to curate,[51] and a third time in 2013 at Lincoln's Digital Culture Festival Frequency.

[52] Continuing the presentation of overlooked space film archives in public gallery spaces Chris collaborated with the London-based creative science agency super/collider on his 2011 show Cone Crater – a 40th anniversary celebration of Alan Shepard and Edgar Mitchell's exploration of the Frau Mauro lunar highlands, which played at The Book Club, London as part of the Apollo's End project.

[62] Riley has written, co-written and contributed to over a dozen books, including Where once we stood, a collaboration with artist and illustrator Martin Impey, nominated for a Kate Greenaway medal in 2020.