[2] Carl Sagan noted that "The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space, but the launching of this 'bottle' into the cosmic 'ocean' says something very hopeful about life on this planet.
[3] This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings.
The contents of the record were selected for NASA by a committee chaired by Carl Sagan of Cornell University.
Sagan and his associates assembled 116 images (one used for calibration) and a variety of natural sounds, such as those made by surf, wind, thunder and animals (including the songs of birds and whales).
The first images are of scientific interest, showing mathematical and physical quantities, the Solar System and its planets, DNA, and human anatomy and reproduction.
The musical selection is also varied, featuring works by composers such as J. S. Bach (interpreted by Glenn Gould), Mozart, Beethoven (played by the Budapest String Quartet), and Stravinsky.
The disc also includes music by Guan Pinghu, Blind Willie Johnson, Chuck Berry, Kesarbai Kerkar, Valya Balkanska, and electronic composer Laurie Spiegel, as well as Azerbaijani folk music (Mugham) by oboe player Kamil Jalilov.
"[11] The selection of music for the record was completed by a team composed of Carl Sagan as project director, Linda Salzman Sagan, Frank Drake, Alan Lomax, Ann Druyan as creative director, artist Jon Lomberg, ethnomusicologist Robert E. Brown, Timothy Ferris as producer, and Jimmy Iovine as sound engineer.
[11] During the recording of the brainwaves, Druyan thought of many topics, including Earth's history, civilizations and the problems they face, and what it was like to fall in love.
Jimmy Iovine, who was still early in his career as a music producer, served as sound engineer for the project at the recommendation of John Lennon, who was contacted to contribute but was unable to take part.
[18] In the 1978 book Murmurs of Earth, the failure to secure permission for the song is cited as one of the legal challenges faced by the team compiling the Voyager Golden Record.
[19] In the book, Sagan said that the Beatles favoured the idea, but "[they] did not own the copyright, and the legal status of the piece seemed too murky to risk.
"[20] When asked about the obstacle presented by EMI with regard to "Here Comes the Sun", despite the artists' wishes, Ann Druyan said in 2015: "Yeah, that was one of those cases of having to see the tragedy of our planet.
The information in the upper right-hand portion of the cover is designed to show how pictures are to be constructed from the recorded signals.
The drawing immediately below shows how these lines are to be drawn vertically, with staggered "interlace" to give the correct picture rendition.
The drawing in the lower left-hand corner of the cover is the pulsar map previously sent as part of the plaques on Pioneers 10 and 11.
At the termination shock, the solar wind slows abruptly from its average speed of 300–700 km/s (670,000–1,570,000 mph) and becomes denser and hotter.
[31] On September 12, 2013, NASA announced that Voyager 1 had left the heliosheath and entered interstellar space,[32] although it still remains within the Sun's gravitational sphere of influence.
[33] Most of the images used on the record (reproduced in black and white), together with information about its compilation, can be found in the 1978 book Murmurs of Earth: The Voyager Interstellar Record by Carl Sagan, F. D. Drake, Ann Druyan, Timothy Ferris, Jon Lomberg, and Linda Salzman.