"Forget" is the thirteenth episode of the fifth season of the post-apocalyptic horror television series The Walking Dead, which aired on AMC on March 8, 2015.

This episode marks the first appearance of Spencer Monroe, portrayed by Austin Nichols, a prominent character from the graphic novels.

Back at Rick's house, he and Michonne discuss the reasons why they have been made town constables and wonder if it's part of a larger plan.

Meanwhile, members of the group that attend the party have trouble adjusting to their new surroundings: Abraham and Michonne discuss the difficulty of leaving behind the road and its dangers, and Sasha has flashbacks of her recent traumas and storms out after an outburst.

While the party is underway, Carol, having already unlatched a window, sneaks into the storeroom where the guns are being held and takes three pistols from a bin as well as a small chocolate ration.

Carol persuades him to remain silent with the promise of cookies, and a threat of tying him to a tree for walkers to eat if he breaks his silence.

It marks the final overall appearances of Emily Kinney as Beth Greene and Chad L. Coleman as Tyreese Williams in a flashback sequence.

Guest appearances include Tovah Feldshuh as Deanna Monroe, Tyler James Williams as Noah, Alexandra Breckenridge as Jessie Anderson.

Matt Fowler of IGN gave "Forget" an 8.6 out of 10, and wrote positively about Carol's intimidation of the young boy, Daryl's storyline with Aaron, and Sasha's actions in the episode.

"[6] Sean McKenna for TV Fanatic spoke positively about the episode, saying he "didn't disagree with Sasha's feelings [towards Alexandria]" and noted Carol's scene with Sam as the highlight of the episode saying: "But man, did Carol take the cake when she went super dark on that kid threatening to feed him to the walkers if he told his mom that she was grabbing the guns.

He compared Sasha to Charles Whitman and felt that she should be kept away from the tower completely and said the scene involving Carol and Sam was "disturbing."

In further detail he said: "That scene was so strange and memorable that it’s almost like I’ve been watching a fake Carol all these years, and we just saw her bona fide psychopath interior seep to the surface.

"[8] Writing for The Wall Street Journal, Paul Vigna praised the episode and said it had "wonderful, subtle touches, things to savor, and understated but confident storytelling, from watching the Grimes clan try to fit into a cocktail party to Daryl and Aaron’s bonding through a walker-hunting spree."

[9] Patrick Kevan Day for the Los Angeles Times was complimentary of the episode, and felt that Rick set the table for "screwing the entire place up".

Where Hershel's farm and even the prison felt like places where the series overstayed their welcome for budgetary reasons, this new/old world feels rich and complicated enough that I could see a very long and creatively healthy stretch here, as the arrogance of Rick, the paranoia of Carol, the PTSD of Sasha, etc., slowly causes this paradise to crumble around them.