Calling Mr Smith (1943) is an account of Nazi atrocities in Poland, and The Eye and the Ear (1944–45) investigates the visualisation of music.

In 31 years the Gaberbocchus Press published over sixty titles, including works by Alfred Jarry, Kurt Schwitters, Bertrand Russell and the Themersons themselves.

The text, which was hand-written directly onto lithographic plates by the translator, Barbara Wright – interspersed with Themerson's conté crayon illustrations – is printed on bright yellow pages.

[8] She continued to exhibit her work regularly at galleries throughout Europe including London, Paris, New York, Warsaw, Stockholm, Edinburgh and other cities during the following decades.

In 1975, she went on to have a one-person show at the Whitechapel Art Gallery, London, titled Franciszka Themerson, It all depends on the point of view.

[9] In 1978, she had a solo exhibition in New York, Franciszka Themerson, paintings, drawings and theatre design, at the Gruenebaum Gallery,[10] and was in a show at the Muzeum Narodowe, Warsaw in 1981-1982.

In 1982, the exhibition, Stefan i Franciszka Themerson, Visual Researches was presented at the Muzeum Sztuki w Łodzi in Łodz, Poland, which went on to tour to other venues.

In 1993, Lines from Life, the art of Franciszka Themerson was organized for the Foyer Galleries, Level 2, Royal Festival Hall, London.

[15] In 2009, Tate Britain, London presented Lightbox: Stefan & Franciszka Themerson, where several of her works are held in the permanent collection.

In 2023 her work was included in the exhibition Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970 at the Whitechapel Gallery in London.