[1] The works he first exhibited at the Academy were portraits, but from 1840 onwards he contributed figure pictures, scenes from Shakespeare, scripture and sentimental subjects, many of which were engraved.
[2] In 1850 he led the opposition within the Academy to the innovations of the Pre-Raphaelite Brotherhood, having already criticised their work in the previous year.
[3] Leading Pre-Raphaelite William Holman Hunt later depicted a print of one of Stone's works in the background of his painting The Awakening Conscience.
It has been suggested that this was intended as an insult, since the furniture of the room was supposed to represent the bad taste of the characters depicted.
He frequently assisted Dickens in theatricals, and in 1847 he accompanied the novelist in a troupe of amateur players on a tour in the north.