Franklin W. Smith

He was an early abolitionist, defendant in a civilian court-martial in 1864, author, and architectural enthusiast who proposed transforming Washington, D.C., into a "capital of beauty and cultural knowledge".

Smith was a moral and religious man and served as Sunday-school superintendent at his Baptist church, Tremont Temple, which he also helped renovate after a fire.

Facades of famous buildings around the world were constructed and staffed by well-known local residents who dressed in authentic costumes and sold items imported for the event.

Whenever Franklin observed dishonesty, he felt compelled to report it to authorities, then wrote an account of each offense, had it printed, and distributed the pamphlets throughout the city.

Smith identified the names of clerks who accepted bribes and created an Analysis of Certain Contracts for the United States Secretary of the Navy.

The naval bureau chiefs were angered that a civilian contractor questioned their integrity and embarrassed them by appearing before Congress and documenting the charges.

Early in the morning, a detail of marines grabbed Franklin and dragged him to a waiting boat, where he was transported across the harbor to Georges Island and Fort Warren.

"[6] He then ordered that the court-martial be conducted in Boston and asked Navy Secretary Welles to send him the trial record at the conclusion for his review.

The trial began September 15, 1864 and lasted four months, with the Navy questioning fewer than a dozen transactions among 12,554 items totalling $1.2 million in government purchases from the Smith Brothers.

The president asked Sumner to review the lengthy report from the Navy Secretary which identified the key elements in the court-martial, then render an opinion.

Senator Sumner studied the document overnight and wrote an opinion which summarized the treatment of Franklin Smith: It is hard that citizens enjoying a good name, who had the misfortune to come into business relations with the Government, should be exposed to such a spirit; that they should be dragged from their homes, and hurried to a military prison; that, though civilians, they should be treated as military offenders; that they should be compelled to undergo a protracted trial by courtmartial, damaging their good name, destroying their peace, breaking up their business, and subjecting them to untold expense—when, at the slightest touch, the whole case vanishes into thin air, leaving behind nothing but the incomprehensible spirit in which it had its origin.

[13]After reflection, the president wrote his decision to Welles, the court-martial board and the Navy: I am unwilling for the sentence to stand and be executed, to any extent, in this case.

In the absence of a more adequate motive than the evidence discloses, I am wholly unable to believe in the existence of criminal or fraudulent intent on the part of one of such well-established good character as is the accused.

Smith, who was president of the board, travelled to Tennessee in 1878 and selected a site, engaged a surveyor to plot the town, and an architect to design a hotel there.

It overlooked river gorges, contained broad hills and had sweeping mountain vistas, but it was seven long miles from the railroad.

A few Bostonians were reconsidering their investment in the venture, so Smith found additional investors through Thomas Hughes, the English social reformer.

Hughes wanted to establish a utopian settlement for younger sons of English gentry which was classless, because class conventions in England prevented those born into high society from becoming tradesmen or farmers.

[8] As a prosperous man, Smith enjoyed traveling throughout Europe, North Africa and the Middle East, studying architecture and the history of past civilizations.

[8][14][15] Smith's in-laws were Quakers, but they were financially able to construct and travel to a winter home near St. Augustine, Florida after the Civil War.

Following a trip to Florida to visit his wife's family, Smith decided to build his own winter residence there, but wanted his house to stand out, both in design and composition.

Satisfied with the results, they began to construct the Villa Zorayda cast in courses ten inches (254 mm) tall.

Perhaps fortunately for Smith, he couldn't come up with the funds,[20] so Flagler began construction of the 540-room Ponce de León Hotel by himself, but spent several times his original estimate.

There are architectural features including turrets, balconies, parapets, ornate railings, cornices, arches, and battlements on the exterior, all composed of poured concrete and coquina.

[24] It was completed in 1889 and named Pompeia, or House of Pansa and furnished in the style of that era, 79 A.D. Smith commissioned artists and historians to copy the architecture, statues and paintings that would present a picture of the lifestyle of a Roman nobleman nearly two thousand years ago.

[14] Franklin Smith travelled Europe extensively during his lifetime, studying the great architectural achievements and art from bygone eras.

Because America had no equivalent to the great national museums abroad, Smith began to form a plan for Washington, D.C., that would include the best work from eight major civilizations in history.

In the Spring of 1890, noted architect James Renwick Jr. was in Florida working on the bell tower design for the Cathedral Basilica of St. Augustine.

One evening, he and his wife listened to Smith deliver a speech to garner support for his Design and Prospectus for a National Gallery of History of Art at Washington.

Besides Egypt, the museum contained Greek and Roman sections that included furnishings and works of art that were historically accurate reproductions.

Smith died in anonymity and poverty five years later,[1] disowned by his family and residing with his older sister Mary in Boston.

Villa Zorayda in the 1900s
Casa Monica Hotel, renamed the Cordova Hotel c. 1891
Design & Prospectus for the National Gallery
Halls of the Ancients in 1907
Artist Conception of the National Gallery