Fred Kelemen (born in 6 January 1964 in West Berlin) is a Hungarian-German film and theater director, cinematographer and writer.
[1] The late Susan Sontag helped to promote Kelemen's work in the mid-1990s, comparing it to the likes of Alexander Sokurov, Béla Tarr and Sharunas Bartas.
[2] Fred Kelemen studied painting, music, philosophy, science of religions and theater before attending the German Film & TV Academy in Berlin from 1989 to 1994.
Kelemen has served as cinematographer for film directors including Béla Tarr (Journey to the Plain, 1995, The Man from London, 2007, The Turin Horse, 2011), Rudolf Thome (The Visible and the Invisible [de], 2007), Gariné Torossian (Stone, Time, Touch, 2005), Joseph Pitchhadze (Sukaryot /Sweets], 2012/2013), Pavel Lungin (Esau, 2018) and others.
Since 2000 he has also directed several plays, including an adaptation of Ray Bradbury’s Fahrenheit 451 at the Schauspielhaus in Hanover, and Eugene O'Neill's Desire Under The Elms at Volksbühne in Berlin.