[13] Alexis Petridis of The Guardian gave a five-star review of From Kinshasa, describing the album as "like arriving in a bustling, unfamiliar city, a very long way from home: a gripping mix of excitement, apprehension and sensory overload.

"[3] Concluding the review for Clash Magazine, Nick Annan wrote, "This collision of worlds adds a dystopian edge to the sonic battlefield, the lilting high-life guitars chiming amidst a juggernaut of deep bass, saturated percussion and ravaged european electronics.

The enforced progression from Staff Benda Bilili to Mbongwana Star might've been a loss to some but this new incarnation of Ngambali and Nzonza's muse confidently steps outside the sometimes rather cozy confines of 'world' music and into the 21st Century.

"[4] In the assessment of the album for Record Collector Paul Bowler wrote, "Mbongwana Star concoct an abrasive sound barrage of heavily distorted rumba grooves, here accompanied by post-punk guitar slashings.

Channelled through Farrell’s electro blender on the likes of Nganshe, Masobele and the jaw-droppingly brilliant single Malukayi, it becomes a modernised, starkly original strain of dub that suggests fresh tributaries for a rapidly evolving music.