"G'Day Melbourne" is the fourth episode of the third season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta.
According to Nielsen Media Research, the episode was seen by an estimated 0.846 million household viewers and gained a 0.4 ratings share among adults aged 18–49.
While watching TV, Kevin is confused when he sees Evie (Jasmin Savoy Brown) during a live broadcast of "G'Day Melbourne".
Calling Laurie again, Kevin is told that "Evie" is an hallucination, which he realizes after checking her photo again, which is now a different woman.
This prompts Kevin to burn the gospel, also telling her that she refuses to have a kid, because people wouldn't feel sorry for her.
The site's consensus states: "The power of grieving, broken love is the theme of 'G'Day Melbourne', which further explores a profound mystery of biblical proportions.
"[4] Matt Fowler of IGN gave the episode a perfect "masterpiece" 10 out of 10 and wrote in his verdict, "The Leftovers excelled with its disintegration of Nora and Kevin's relationship - this time using a big change of scenery to exacerbate their issues instead of mending them with a 'miracle town'.
Club gave the episode an "A–" grade and wrote, "Love stories, even the most life-affirming ones, are full of doubt, crossed signals, longing, and resentment.
Or did fate intervene again — like the earthquake that saved him from drowning — and send him to Australia specifically to keep him safe?
"[8] Sean T. Collins of Vulture gave the episode a 4 star rating out of 5 and wrote, "I wouldn't be surprised if we look back on 'G'Day Melbourne', tonight's episode of The Leftovers, and conclude that not showing us the explosion that brought society to a standstill was the smartest thing it did.
"[9] Nick Harley of Den of Geek wrote, "This was an emotionally draining episode of The Leftovers, featuring raw, electrifying turns from Justin Theroux and Carrie Coon and piercing direction from Daniel Sackheim, who delivers a final shot of Nora, water streaming down her eyelids, that feels like a series defining image.