Among his exhibited works were paintings titled Il girovago (The Rover) La Guzla (Turin), Vien lo Sposo (Here comes the Groom) (Milan).
Monday after Pentecost (Brussels); Vanità precoce (Precocious Vanity); Fra Girolamo Savonarola; Il ritorno dalla Madonna dell' Arco (The Return of the Madonna of the Arch; Il Racconto (The Tale); and La Matassa (The Skein).
In 1884 at Turin, he displayed Passa la Vacca (The Cow Passes); Tre per una lira (Three for a Lira); L'ombrello del frate (The Monk's Umbrella); Un' antica passione (An Ancient Passion).
In Subsequent years, he displayed: Innocenza e Brio (Innocence and Brio) (1873, International Exhibition of Vienna); I Concorrenti (The Competitors), Una Visita (A Visit); La Difesa del Convento di San Marco (The defense of the Convent of San Marco); Il Messaggio Amoroso (The Message of Love), and At Pompeii (1877, National Exposition of Naples).
He opened a studio in via Chiatamone in Mergellina, Naples; and exhibited in Milan (1872-1885), Turin (1873-1882), Genoa (1873-1885), and Rome (1873).