[citation needed] Kane performed at the Lyceum Theatre in Heap Game Watch in January 1914.

The Breaking Point by Mary Roberts Rinehart was staged at the Klaw Theatre, West 45th Street, New York City, in August 1923.

Among the actors taken to Night Court were Basil Rathbone, Helen Menken, Ann Trevor, Winifred Fraser, John Miltern, and Arthur Lewis.

Menken was comforted by Kane as she made her exit after becoming agitated by the glares and explosions of cameras snapping as she stepped out on the sidewalk.

[4] Kane's movie career spanned much of the silent era, beginning with a role as Bonita Canby, in Arizona (1913).

She co-starred as Jurgis Rudkus's (played by George Nash) wife Ona Lukoszaite in the film adaptation of Upton Sinclair's The Jungle (1914).

[citation needed] Kane was employed by the Mutual Film Corporation of Santa Barbara, California when she made The Upper Crust (1917).

Produced by Mutual-American, Edward Pell is cast as Kane's leading man in a comedy replete with humor.

In July 1917 Kane joined an effort organized by William A. Brady, President of the National Association of the Motion Picture Industry, and D.W. Griffith.

Their task was to utilize film as a tool of information regarding the plans and purposes of the United States in World War I. Brady was appointed by President Woodrow Wilson to mobilize the motion-picture industry.

[citation needed] The Scarlet Oath (1917) was a challenging movie for Kane who played the dual role of two women.

A Game of Wits (1917) is a five-reel comedy with Kane portraying Jeannette Browning in a unique love story.

Among her later movies are Love's Law (1918), The Daredevil (1918), Someone Must Pay (1919), Romeo's Dad (1919), Empty Arms (1920), Idle Hands (1921), The White Sister (1923), and Convoy (1927).

Kane possessed one of the most attractive collections of one-piece, two-piece, and fluffy ruffles seashore outfits in Chicago, Illinois by 1917.