Galit Eilat

Among the projects was the trilogy Hilchot Shchenim (2003-2005),[4] an attempt to establish a cultural network as a platform for artists and art centres in the Near East, the Mediterranean Basin, as well as in wider circles such as the former Eastern European bloc and the Balkans.

The initial focus of the project was Road 60, which connects Jerusalem and Ramallah, and how it might be possible through art and culture to overcome political, social and physical barriers created by the Israeli occupation of Palestine.

Liminal Spaces was not an actual exhibition, but rather a joint research project, a collective micro-residency, production platform and a series of interventionist, site-specific conferences rolled into one.

It’s Time We Got To Know Each Other, 52nd October Salon, at the Museum of Yugoslav History, Belgrade, Serbia, and And Europe will be stunned, Yael Bartana's presentation at Polish Pavilion at the 54 Venice Biennale 2011.

[11] Eilat co-curated the[12] 31st São Paulo Biennial How to (…) things that don’t exist at Serralves Foundation in Porto together with Charles Esche, Nuria Enguita Mayo, Pablo Lafuente, Oren Sagiv and associate curators Benjamin Seroussi and Luiza Proença.

[15] She curated the exhibition The Presence of the Real, supported by the EU funded project Culture for All - Phase III, managed by the European Union Office in Kosovo.

Since June 2018 Galit Eilat is the director of Meduza Foundation and currently she is developing a large scale international research project entitled Syndrome of the Present with partners in Amsterdam, Istanbul and Thessaloniki.