[15] The Chicago Reader wrote: "The gently rolling rhythms come from former Portuguese colonies like Angola and Cape Verde as well as Cuba, the sweet accordion lines from Madagascar, and the lovely lead guitar work from Congo, courtesy of former OK Jazz member Papa Noël Nedule Montswet.

"[9] The Los Angeles Sentinel labeled it "groundbreaking," writing that it "blends pan-African pop styles with influences from Portugal, the Caribbean and Latin America.

"[19] The Gazette deemed Galo Negro "a delicate, sensuous set highlighted by Mangwana's evocative tenor voice.

"[4] The New York Times considered the album "pretty plainly indicative of an African-Cuban (and African-South American, with hints of music from Colombia and Brazil) cross-pollination.

"[21] AllMusic wrote that a listener "hears elements of everything from Afro-Cuban salsa and Dominican merengue to Spanish flamenco and Colombian vallenato.