Geet Ramayan

Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing.

Since the Ramayana (written by Valmiki) is an Indian epic,[6] Lad and Madgulkar came up with an idea of a version in singable verse.

Madgulkar accepted the challenge, enlisting his Music Director friend Sudhir Phadke (popularly known as "Babuji") for the collaboration.

[8] The series ended with the song "Gā Bāḷāno, Shrīrāmāyaṇ" where the part post crown ceremony was added.

With the broadcast already scheduled, station director Sitakant Lad requested Madgulkar to re-write the song which was readily declined by an angered poet.

Lad then decided to lock the poet in one of recording rooms equipped with all the required writing material and agreed to unlock the door only when Madgulkar is ready with the lyrics.

[19] Madgulkar ended the series with the song "Gā Bāḷāno, Shrīrāmāyaṇ" which was voiced by Valmiki where he tells his disciples, Lava and Kusha, how they should recite the Ramayana in front of Rama.

[14][2] Madgulkar did not make any attempt to provide new interpretation or meaning to the Ramayana but told the same story in the simpler and poetic format.

[2] With inclusion of characters like Ahalya and Shabari, he included the sentiments of religious devotion (Bhakti) and also gave divine touch to the story while describing the marriage of Sita and Rama as a union of Maya and Brahman.

[2] As the series became popular, the daily newspapers in Pune began to print the text of the new song every week after its first airing.

[9] The first official edition of the text of these fifty-six poems and their prose narrations came out on the occasion of Vijayadashami, 3 October 1957, published for Akashwani by the director of the Publications Division, Delhi, in pocketbook size.

[20] The singers, which included Vasantrao Deshpande, Manik Varma, Suresh Haldankar, Ram Phatak and Lata Mangeshkar, were familiar with the vocal style of Indian classical music.

The vanara are given a song ("Setū Bāndhā Re Sāgarī") describing a bridge forming over the ocean so Rama and his army could cross to Lanka.

He portrayed Rama as a complex character full of emotions and passions, with some of the questionable deeds, yet bound by a traditional virtue and the sanctity of a promise.

All-India Radio repeated the entire series of fifty-six weekly songs due to popular demand.

[81] Atal Bihari Vajpayee, the then Minister of External Affairs, attended the show as the guest of honour along with the then Deputy Prime Minister of India Yashwantrao Chavan, Bollywood film director Basu Bhattacharya, actor Dada Kondke, and celebrated classical singers such as Bhimsen Joshi and Kishori Amonkar.

National Award-winning art director Nitin Chandrakant Desai designed the stage depicting scenes from the Ramayana.

[84] Madgulkar's son, Anand, produced a televised version showcasing twenty-eight episodes of the Geet Ramayan on Zee Marathi; however, it received a lukewarm response.

Painting of a blue Rama under a small red-and-yellow umbrella, with other characters from the Ramayana
The central figures of the Ramayana: Rama, his wife Sita, the devotee Hanuman and Rama's three brothers (Lakshmana, Bharata and Shatrughna)
Ahalya (right bottom), seated in a red sari and rising from a stone, bows with folded hands to Rama (left) who is seated with Vishvamitra (centre) on a stone under a tree, in front of her. Lakshamana stands on the right.
The Geet Ramayan included themes like liberation of Ahalya by Rama, which conveyed religious devotion. (Early-20th-century print by Ravi Varma Press)
Seated man talking to many other men, with trees and musicians in the background
17th-century painting of Kusha and Lava singing the Ramayana at Valmiki 's hermitage