In 1926 she immigrated to Palestine and began to simultaneously study architecture at the Technion Montefiore and painting in Yitzhak Frenkel's studio in Tel Aviv.

In the end of 1929, she returned to Berlin, where she began to study painting and set design at the Academy of Fine Arts.

Berger's early work, influenced by Isaac Frenkel, who taught modern French art trends, was in the post-impressionist painting style.

Her works include set design for "The King Solomon and the Cobbler" (Ohel Theater, 1943), "Bar Kokhba" (Ohel Theater, 1945), "Khovanshchina" (Israel National Opera, 1952), "Kazmirov Brothers" (Habima, 1956) and more.

In the 1950s, Berger returned to painting and began sculpting and creating ceramic reliefs.