Like Dürer, he visited Italy and was profoundly influenced by Venetian art; it is believed he worked with Marcantonio Raimondi.
The three were pardoned shortly afterwards and became part of the group known as the "Little Masters" because of their tiny, intricate, and influential prints.
In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe-l'œil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction.
[3] In March 1939, the Nazi Gestapo seized Pencz's "Young Couple in a Landscape" from the home of Arthur Feldmann, a Jewish collector who was murdered in the Holocaust.
The art collector Rosi Schilling donated it to the British Museum, which settled a Nazi spoliation claim from Feldmann's grandson in 2013.