George E. Lewis

[7][4]: 281  An African American teacher convinced Lewis's parents to enroll him at the University of Chicago Laboratory School, where he started classes at age 9.

[4]: 282  He also took music theory classes and met a number of artists in the community, but began to lose interest in school after his sophomore year and decided to take a break.

[4]: 283 In 1971, during his time off in Chicago, Lewis heard some musicians practicing together near his parents' house; he introduced himself, and met Muhal Richard Abrams, John Shenoy Jackson, Steve Galloway, and Pete Cosey.

[4]: 284  Lewis worried about his performance, but McCall invited him to play another concert; at rehearsal, he was introduced to Roscoe Mitchell, Malachi Favors, Sabu Toyozumi, Aaron Dodd, and Douglas Ewart.

[4]: 285  Lewis regularly played late gigs with the Muhal Richard Abrams Big Band during his year off, and in the daytime held a United Steelworkers union job at Illinois Slag and Ballast Company.

[2] Lewis has recorded or performed with Anthony Braxton, Anthony Davis, Bertram Turetzky, Conny Bauer, Count Basie, David Behrman, David Murray, Derek Bailey, Douglas Ewart, Alfred Harth, Evan Parker, Fred Anderson, Frederic Rzewski, Gil Evans, Han Bennink, Irène Schweizer, J. D. Parran, James Newton, Joel Ryan, Joëlle Léandre, John Zorn, Karl E. H. Seigfried, Laurie Anderson, Leroy Jenkins, Marina Rosenfeld, Michel Portal, Misha Mengelberg, Miya Masaoka, Muhal Richard Abrams, Nicole Mitchell, Richard Teitelbaum, Roscoe Mitchell, Sam Rivers, Steve Lacy, and Wadada Leo Smith, as well as Frederic Rzewski and Alvin Curran's Musica Elettronica Viva[10] and the Globe Unity Orchestra[5] and the ICP Orchestra (Instant Composer's Pool).

[15] Lewis is featured extensively in Unyazi of the Bushveld (2005), directed by Aryan Kaganof,[16] a documentary about the first symposium of electronic music held in Africa.

[17] Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006.

[18] His work "Morning Blues for Yvan" was featured on the compilation album Crosstalk: American Speech Music (Bridge Records), produced by Mendi + Keith Obadike.

George E. Lewis in 2006.
Lewis, circa 2003