He graduated with a bachelor's thesis titled L'ordre de la chevalerie, conte en vers du xiiie siècle, avec introduction et notes.
Though he is often referred to as an archivist and a librarian because of his employment at the Bibliothèque Nationale, his work there was with the medallion collections (he also published scholarly articles on numismatics).
[citation needed] Founder of several journals and literary groups, Bataille is the author of a large and diverse body of work: readings, poems, essays on innumerable subjects (on the mysticism of economy, poetry, philosophy, the arts and eroticism).
[citation needed] He was relatively ignored during his lifetime and scorned by contemporaries such as Jean-Paul Sartre as an advocate of mysticism, but after his death had considerable influence on authors such as Michel Foucault, Philippe Sollers, and Jacques Derrida, all of whom were affiliated with the journal Tel Quel.
He was heavily influenced by Hegel, Freud, Marx, Marcel Mauss, the Marquis de Sade, Alexandre Kojève, and Friedrich Nietzsche,[5] the last of whom he defended in a notable essay against appropriation by the Nazis.
His novel Story of the Eye (Histoire de l'œil), published under the pseudonym Lord Auch (literally, Lord "to the shithouse" — "auch" being short for "aux chiottes", slang for telling somebody off by sending him to the toilet), was initially read as pure pornography, while interpretation of the work has gradually matured to reveal the same considerable philosophical and emotional depth that is characteristic of other writers who have been categorized within "literature of transgression".
The imagery of the novel is built upon a series of metaphors which in turn refer to philosophical constructs developed in his work: the eye, the egg, the Sun, the Earth, the testicle.
Other famous novels include the posthumously published My Mother (which would become the basis of Christophe Honoré's film Ma Mère), The Impossible and Blue of Noon, which, with its incest, necrophilia,[8] politics, and autobiographical undertones, is a much darker treatment of contemporary historical reality.
Base materialism was a major influence on Derrida's deconstruction, and both thinkers attempt to destabilise philosophical oppositions by means of an unstable "third term".
The "accursed share" is an economic concept Bataille introduced in his book La Part maudite published in 1949 by Les Éditions de Minuit.
If a part of wealth (subject to a rough estimate) is doomed to destruction or at least to unproductive use without any possible profit, it is logical, even inescapable, to surrender commodities without return.
Henceforth, leaving aside pure and simple dissipation, analogous to the construction of the Pyramids, the possibility of pursuing growth is itself subordinated to giving: The industrial development of the entire world demands of Americans that they lucidly grasp the necessity, for an economy such as theirs, of having a margin of profitless operations.
An immense industrial network cannot be managed in the same way that one changes a tire… It expresses a circuit of cosmic energy on which it depends, which it cannot limit, and whose laws it cannot ignore without consequences.
[13]Thus, according to Bataille's theory of consumption, the accursed share is that excessive and non-recuperable part of any economy which is destined to one of two modes of economic and social expenditure.
This must either be spent luxuriously and knowingly without gain in the arts, in non-procreative sexuality, in spectacles and sumptuous monuments, or it is obliviously destined to an outrageous and catastrophic outpouring in war.