[citation needed] Rodger's work focuses on textural and spatial aspects of sound and the experience of listening, and on the physical and acoustic properties of instruments.
[1] In 2013, she pursued a year-long collaboration with Séverine Ballon after being introduced to the cellist by her PhD supervisor, Newton Armstrong.
[3] Two of her works from the same year, Partial filter and Cut it out were performed at Cafe Oto in 2015, by Oren Marshal and Mark Knoop, respectively.
The other two works in the series so far are Maeshowe (based on the acoustic fingerprint of the Neolithic Tomb in the Orkney Islands) and St Andrew's Lyddington.
[12] In July 2018, she was a recipient of an Oram Award, celebrating female innovators in music and sound, sponsored by PRS.