Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody.
He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva.
He subsequently composed An American in Paris, returned to New York City and wrote Porgy and Bess with Ira and DuBose Heyward.
Jakov's teenage son, Moishe, George Gershwin's father, worked as a leather cutter for women's shoes.
Moishe, faced with compulsory military service if he remained in Russia, moved to America as soon as he could afford to (arrived on August 14, 1890).
[4][5][6] Their first child, Ira Gershwin, was born on December 6, 1896, after which the family moved into a second-floor apartment at 242 Snediker Avenue in the East New York neighborhood of Brooklyn.
His birth certificate identifies him as Jacob Gershwine, with the surname pronounced "Gersh-vin" in the Russian and Yiddish immigrant community.
He produced dozens, if not hundreds, of rolls under his own and assumed names (pseudonyms attributed to Gershwin include Fred Murtha and Bert Wynn).
Al Jolson, a Broadway star and former minstrel singer, heard Gershwin perform "Swanee" at a party and decided to sing it in one of his shows.
This work received mixed reviews upon its first performance at Carnegie Hall on December 13, 1928, but it quickly became part of the standard repertoire in Europe and the United States.
1931's Of Thee I Sing became the first musical comedy to win the Pulitzer Prize for Drama; the winners were George S. Kaufman, Morrie Ryskind, and Ira Gershwin.
[30] Gershwin spent the summer of 1934 on Folly Island in South Carolina after he was invited to visit by the author of the novel Porgy, DuBose Heyward.
[31] Porgy and Bess was considered another American classic by the composer of Rhapsody in Blue — even if critics could not quite figure out how to evaluate it, or decide whether it was opera or simply an ambitious Broadway musical.
[36] On February 11, 1937, he performed his Piano Concerto in F in a special concert of his music with the San Francisco Symphony Orchestra under the direction of French maestro Pierre Monteux.
He was at the time working on other Hollywood film projects while living with Ira and his wife Leonore in their rented house in Beverly Hills.
Leonore Gershwin began to be disturbed by George's mood swings and his seeming inability to eat without spilling food at the dinner table.
She suspected mental illness and insisted he be moved out of their house to lyricist Yip Harburg's empty quarters nearby, where he was placed in the care of his valet, Paul Mueller.
Mosbacher immediately called pioneering neurosurgeon Harvey Cushing in Boston, who, retired for several years by then, recommended Walter Dandy, who was on a boat fishing in the Chesapeake Bay with Harry Nice, the governor of Maryland.
Mosbacher called the White House and had a Coast Guard cutter sent to find the governor's yacht and bring Dandy quickly to shore.
[39] Before Dandy could arrive,[41] in the early hours of Sunday, July 11, 1937, doctors at Cedars removed a large brain tumor, believed to have been a glioblastoma, but Gershwin died that morning at the age of 38.
The title of An American in Paris reflects the very journey that he had consciously taken as a composer: "The opening part will be developed in typical French style, in the manner of Debussy and Les Six, though the tunes are original.
"[47] Gershwin was intrigued by the works of Alban Berg, Dmitri Shostakovich, Igor Stravinsky, Darius Milhaud, and Arnold Schoenberg.
After the posthumous success of Porgy and Bess, Schillinger claimed he had a large and direct influence in overseeing the creation of the opera; Ira completely denied that his brother had any such assistance for this work.
Recognizing the profound and positive effect of popular music on culture, the prize is given annually to a composer or performer whose lifetime contributions exemplify the standard of excellence associated with the Gershwins.
[52] Early in his career, under both his own name and pseudonyms, Gershwin recorded more than one hundred forty player piano rolls which were a main source of his income.
He did record additional rolls throughout the 1920s of his main hits for the Aeolian Company's reproducing piano, including a complete version of his Rhapsody in Blue.
Gershwin recorded an abridged version of Rhapsody in Blue with Paul Whiteman and his orchestra for the Victor Talking Machine Company in 1924, soon after the world premiere.
Gershwin recorded excerpts from Porgy and Bess with members of the original cast, conducting the orchestra from the keyboard; he even announced the selections and the names of the performers.
The film contains many factual errors about Gershwin's life, but also features many examples of his music, including an almost complete performance of Rhapsody in Blue.
The film begins with a monolog by Allen, in the role of a writer, describing a character in his book: "He adored New York City ... To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin."