Simondon's work is characterized by his philosophical approach on information theory, communication studies, technology and the natural sciences.

Although largely overlooked in his lifetime, the advent of the Information Age has collaborated to a reappraisal and increased interest in Simondon's books, with him being seen as someone who has precisely predicted and described the social effects and paradigms technical objects and technology itself have offered in the 21st century.

While his main thesis, which laid the foundations of his thinking, was not widely read until it was commented upon by Gilles Deleuze and, more recently, Bruno Latour and Bernard Stiegler, his complementary thesis, Du mode d'existence des objets techniques (On the mode of existence of technical objects) was published by Aubier immediately after being completed (in 1958) and had an instant impact on a wide audience.

Currently, Simondon can be seen as a major influence on the work of scholars such as Paolo Virno, Jean-Hugues Barthélémy, Thierry Bardini, Luciana Parisi, Brian Massumi, Adrian Mackenzie, Muriel Combes, Carl Mitcham, Andrew Feenberg, Yuk Hui, Isabelle Stengers, Thomas Lamarre, Bruno Latour and Anne Sauvagnargues.

Posthumous publications English translations Films François Lagarde and Pascal Chabot have made a movie on Simondon: Simondon of the Desert (english translation) with Anne Fagot-Largeault, Arne De Boever, Dominique Lecourt, Gilbert Hottois, Giovanni Carrozzini, Jean-Hugues Barthélémy, Jean Clottes, and music by Jean-Luc Guillonet.