Shortly after her studies, Garzoni produced a book of cursive characters illustrated with birds, flowers and insects called the Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).
[11][5] After finishing her education, Garzoni and her brother Mattio left Venice in 1630 for Naples where she worked for the Spanish viceroy, the Duke of Alcalá.
Garzoni's stay in Rome was short lived however, due to Christina of France's persistent efforts to have the artist come to Turin to serve as the miniaturist for the Turinese court.
[16] As well as painting, Garzoni attended the Accademia di San Luca, where she followed events and discussion aimed at educating, socializing, and professionalizing painters, architects and sculptors of Rome.
[19] One study of citrus fruit from dal Pozzo's collection, attributed to Garzoni, was sold Sotheby's, New York, 25 January 2011, Lot 122.
[22] Still Life with a Basket of Fruit, a Vase with Carnations and Shells on a Table: This gouache on vellum piece is one of the twenty still-life miniatures that Garzoni produced for the Medici family from the years 1650–1662.
The rare books library in Washington DC, Dumbarton Oaks, contains a self-portrait of the elderly artist, in addition to a number of botanical studies.
Another album, held by the Accademia di San Luca, the artists' institute to which Garzoni left her estate, includes flower studies and still lifes.
Storie di donne tra ’500 e ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated by Anna Maria Bava, Gioia Mori and Alain Tapié, exhib.
[28] By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800, Wadsworth Atheneum and the Detroit Institute of Arts, September 30, 2021 – January 9, 2022, exhib.
cat Yale University Press, edited by Eve Straussman-Pflanzer and Oliver Tostmann Media related to Giovanna Garzoni at Wikimedia Commons