Giovanni Prini

Prini, a sensitive interpreter of the child's soul, sculpted groups of children who expressed great melancholy; images of a sad childhood that seemed burdened by a cruel fate.

In 1905 he exhibited, in a personal room of the Society of Amateurs and Cultori of Rome, sketches for the monuments of Dante and Wagner, charcoal drawings, bronzes with figures of children and oil on paper Innamorati on a bench.

For an exhibition in Castel Sant'Angelo, Prini rebuilt in a plastic form historical parades, drawn from ancient engravings.

Prini carved commissioned monuments, friezes of public buildings, portals, sepulchral chapels, statues, fountains.

[1] He married Orazia Belsito, poet and painter, who opened Prini's home-studio, on Via Nomentana, to a select group of friends, intellectuals and artists, including Umberto Boccioni, the writer Sibilla Aleramo, the journalist/writer Giovanni Cena, Gino Severini, Duilio Cambellotti, the sculptor Ettore Ximenes and symbolist poet Sergio Corazzini.

Giovanni prini, primavera (rondine), in maiolica dipinta, 1921