[1] A film of the performance was uploaded to the Glass House's official Vimeo account and website on November 11, 2016, and an audio recording of the 37-minute composition was released as an album on Nicolai's label NOTON on February 16, 2018.

[9] According to Resident Advisor, "the melodies emphasise the fragility of glass, while the drone underlines its solidity and sturdiness, lending the composition a duality that it wrestles with over its 37-minute length.

[10] Irene Shum, who co-ordinated and arranged the installation, described Sakamoto and Nicolai's performance as "call and response,"[4] which was also noted by writer Nenad Goergievski: "This it is an ambient articulation where the artists respond to the moment rather than predicating it.

[11] Journalist Andy Beta noted an "intensifying sense of unease it evolves," elaborating that "When Noto and Sakamoto introduce an even higher sound it evokes a physical sensation akin to freezing rain suddenly turning to ice, brittle and crystalline," but also analyzed it was "infused with a warmth that slowly permeates the final moments of the piece.

"[10] Similarly, Goergievski, noting both ear-friendly and "dissonant" sounds in the track, described it as a "complex recording where the artists weave together an aural tapestry of great and dark beauty, where the patterns and the nuances may be difficult to initially perceive.

[20] Georgievski claimed the piece "has allowed both [Nicolai and Sakamoto] to reach new sonic vistas and further extend their already impressive compositional palettes," also writing that "both artists are masters of crafting a mystery and otherness from what's on offer.