"[7] Producer and composer Gaël Rakotondrabé,[8] who was briefly a member of the group,[7] is credited as one of the track's songwriters alongside the Casady sisters.

Detailing the performance, the review states that the Casady sisters appeared on stage wearing "a very French ensemble... floral-patterned black stockings with runs and holes, red lips outlined in black" and a "beat-box wizard, a percussionist and a piano/synth player... [a] drum/percussion kit was encased in an antique baby's crib with fat baby painted on the side...

[6] Stereogum described it as "an instructional auto-tuning paean to Mama Nature", stating that it "offers some supreme springtime anthemics" and that "the vocal effects take a little getting used to, though almost immediately they do make it all the easier to dance".

[12] Amazon Music editorial reviews describe the track as having "a springtime dance floor sound", stating "CocoRosie narrates a suicide story that takes place in a tender and elated moment of innocence, focusing on releasing and returning to Mother Nature.

"[13] A 2016 interview with Bianca Casady suggested that the track was "straight-forward" and feminist, and attempted to "overtly feminiz[e] the Judeo-Christian God... only to find that the message was lost on listeners yet again."