God Over Everything

[3] It was produced by GospelOnDeBeatz, and its music video directed by Daps, premiered shortly after the single's announcement and features a 90s-inspired aesthetic, including graffiti-covered walls, dancehall choreography, and retro fashion elements.

[4] Joey Akan of Pulse Nigeria reviewed G.O.E as a solid debut album that reflects his gratitude, ghetto influences, and romantic themes while modernizing Ajegunle, Konto, and dancehall sounds.

[5] Chuks Kings of tooXclusive described G.O.E as a well-rounded album showcasing Patoranking's versatility, blending reggae, afropop, and soul while addressing themes of gratitude, love, and his rise to fame.

[6] Toni Kan of Nigerian Entertainment Today reviewed the album as a strong debut that showcased Patoranking's versatility and experimental approach, blending dancehall, reggae, highlife, and Afrobeat influences.

Praising tracks like "Cheating Zone", "No Kissing Baby", and "Ayinde", Kan concluded, "What is abundantly clear from his debut album is that dude is not just a fine face, he is serious about this business and will be here for a while longer".