God is our refuge

Sir: I am ordered by the Standing Committee of the Trustees of the British Museum, to signify to You, that they have received the present of the musical performances of your very ingenious Son which you were pleased lately to make them, and to return You their Thanks for the same.

"The 23-bar work is scored for four voices: soprano, alto, tenor and bass, and is written in 32 time.

As the manuscript for this work is still intact, one can find two separate, distinct handwritings: Wolfgang's, and his father's Leopold.

Leopold was suspected to have a hand in the written words after bar seven, as the young Wolfgang seemingly had trouble judging the amount of space necessary to fit in the written text (as can be seen by the wave pattern of the bar lines near measure 7).

God is our refuge shows many stylistic similarities to that of 16th century English church music, which Mozart was undoubtedly exposed to whilst traveling London at the time.