Gōjū-ryū

Gōjū-ryū incorporates both circular and linear movements into its curriculum, combining hard striking attacks such as kicks and close hand punches with softer open hand circular techniques for attacking, blocking, and controlling the opponent, including joint locks, grappling, takedowns, and throws.

Gōjū-ryū practices methods that include body strengthening and conditioning, its basic approach to fighting (distance, stickiness, power generation, etc.

He was first exposed to martial arts in 1867 when he began training in Luohan or "Arhat boxing" under Arakaki Seishō, a fluent Chinese speaker and translator for the court of the Ryukyu Kingdom.

With the help of Taitei and a family friend, Yoshimura Chomei (who was an Udun or Prince) Higaonna eventually managed to set up safe passage to China, lodging, and martial arts instruction.

Higaonna returned to Okinawa in 1882 and continued in the family business of selling firewood, while teaching a new school of martial arts, distinguished by its integration of gō-no (hard) and jū-no (soft) kenpō into one system.

However, after Japan annexed Okinawa and defeated China in the Sino-Japanese War, the Patron of Naha-te, Yoshimura Udun, and his pro-China faction lost power in Okinawan politics, they migrated to Fuzhou, Taiwan or Hawaii and the older schools of Naha-te were largely lost.

Through this period until 1905 when karate was openly taught in Okinawan schools, Kanryo Higaonna kept Naha-te alive by giving students private lessons at his home.

Gōjū-kai history considers Chinese Nanpa Shorin-ken to be the strain of kung fu that influenced this style.

After he returned, many of Higaonna's students continued to train with Miyagi and he introduced a kata called Tensho around 1918, which he had adapted from Rokkishu of Fujian White Crane.

[10][11] Chojun Miyagi took the name from a line of the poem Hakku Kenpo, which roughly means: "The eight laws of the fist," and describes the eight precepts of the martial arts.

There are two years that define the way Gōjū-ryū has been considered by the Japanese establishment: the first, 1933, is the year Gōjū-ryū was officially recognized as a budō in Japan by the DNBK Dai Nippon Butoku Kai, in other words, it was recognized as a modern martial art, or gendai budō by the Japanese Government.

The second year, 1998, is the year the semi-governmental Nippon Kobudo Kyokai (Japan Traditional Martial Arts Association), under the Cultural Ministry of Japan, recognized Gōjū-ryū Karate-do as an ancient form of traditional martial art (koryū) and as a bujutsu.

[15] This recognition as a koryū bujutsu shows a change in how Japanese society sees the relationships between Japan, Okinawa and China.

After Miyagi's death (1953), for some sources, the family communicated that the founder of the style wanted Eiichi Miyazato to succeed him.

However, for other sources, including Eiichi Miyazato's students and heirs, no official successor to Chojun Miyagi was ever designated.

Miyagi believed that "the ultimate aim of karate-do was to build character, conquer human misery, and find spiritual freedom".

Formed by numerous masters throughout the ages through dedicated training and research, the kata are like a map to guide us, and as such should never be changed or tampered with.

[19] It is in gekesai dai ni that students are introduced to the neko ashi dachi stance, and to the wheel block (mawashi uke).

It contains quick whipping motions, hammerfists, and back fist strikes; it particularly emphasizes moving off-line from an opponent's main force, while simultaneously closing distance and exploding through them.

The techniques are performed very slowly so that the student masters precise movements, breathing, stance/posture, internal strength, and stability of both mind and body.

In 1940, General Hajime Hayakawa (早川 元), the installed governor of Okinawa,[33] assembled the Karate-Do Special Committee, composed by Ishihara Shochoku (chairman), Miyagi Chojun, Kamiya Jinsei, Shinzato Jinan, Miyasato Koji, Tokuda Anbun, Kinjo Kensei, Kyan Shinei, and Nagamine Shoshin.

Higaonna Kanryō , c. early 1900s