The video features the band members wearing Baby Björns and being carried by giant doppelgängers of theirs, played by two Belmont Bruins men's basketball players.

[4] Will Hermes of Rolling Stone called the song's keyboards "a serrated organ growl backed up with a SWAT team of hand claps" and cited it as an example of Danger Mouse's prowess as a producer and co-writer.

Summarizing the song, Hermes wrote, "It's Sixties bubblegum garage pop writ large, with T. Rex swagger and a guitar freakout that perfectly mirrors the lyrics, a paranoid rant that makes you shiver while you shimmy.

"[1] John Soeder of The Plain Dealer labeled it one of the album's finest and said that it sounded like a hybrid of Norman Greenbaum's "Spirit in the Sky" and Gary Glitter's "Rock and Roll Part 2".

[8] Sam Richards of NME said that the song's "brilliantly demented cowboy glam holler... is boosted by the band's new trio of female backing singers wailing for all they're worth".