Gonzalo Villar Bordones (born 1968 in Viña del Mar, Chile) is a Chilean poet and lawyer who often ventures into urban interventions.
[5] Villar is the author of "The Last Leaves of the Century" (1999), bookwork involved the calendar recording the history of mankind through poetry and quotes, and "Landmarks" text on the principles of Freemasonry, published in 2010 by Editorial Altazor.
[8] His poetry inspired by the Open Air Museum Viña del Mar[9] work done in conjunction with Myriam Parra,[10] Claudio Francia, the Neighborhood Council of Recreo, and the Government of Valparaiso.
Cameron stresses, in turn, the occupation of clear topics of contemporary poetry, as in the case of a chaotic gathering, describing the woman through a series of adjectives and synecdoche: Industrious / multiple / labyrinth /distinguished (...) cachurera, Captain Araya, / new women friendsand unholy, / bossy with sympathy, and so on.
[16] The American academic Sonia Tejada, analyzing "Walls Watching the Sea," states the author seeks to build bridges between poetry, painting and everyday life.