Good Life Delivery revolves around the lives of ordinary individuals residing in González Catán, a working-class suburb situated southwest of Buenos Aires, as they grapple with the challenges of making ends meet.

A surprising twist arises when Hernán returns home one evening to find that Pato's parents and her young daughter have moved in, catching him off guard.

Venancio, Pato's slick and charismatic father played by Oscar Nuñez, extends gratitude to Hernán, who initially assumes their presence is temporary.

Meanwhile, Pato finds herself caught between her inability to develop a relationship with Hernán and the advances of a handsome young man named José Luis, a patron at the gas station.

It should benefit from the growing aud for Argentine product...From a low-key naturalistic drama, pic turns into an ironic comedy that catches the viewer up in seemingly unsolvable social and personal problems.

Rather, everyone is struggling to get by, doing what they feel is best for them and theirs...Straightforward, unflashy direction – one suddenly notices the previous absence of music when a few ominous chords signal the beginning of act three, for instance – is counterbalanced by well-observed and nuanced performances and a satisfactorily bittersweet resolution.

If Buena Vida Delivery probably won't put film-maker Leonardo Di Cesare up there with the likes of Walter Salles and Gonzales Innaritu at the forefront of current Latin American cinema, it's a pleasing enough way to spend 90 minutes.