Goodbye in the Mirror is a 1964 black-and-white experimental film produced and directed by Storm de Hirsch.

[1] Maria, an American, shares an apartment with Berenice, an aspiring actress from England, and Ingrid, a Swedish singer.

[2] According to de Hirsch, the film is about the girls' "restlessness and personal involvements in assuming the role of woman as hunter.

[3] Cast: Also: Crew: De Hirsch's husband, Louis Brigante, served as associate director.

It was criticized as uneven and overlong in a Variety review, and is characterized as "disappointing" in de Hirsch's biography by Cecile Starr.

[4] By contrast, Jonas Mekas said after seeing the film, "I couldn't believe what beauty struck my eyes, what sensuousness,"[5] and Gregory Markopoulos was impressed with its "visual wisdom.

"[7] Wheeler Winston Dixon called the film "superb" in his profile of de Hirsch,[1] and in a later article, wrote, "This transcendent and ambitious narrative film is only one example of early Feminist cinema that led to the later work of Yvonne Rainer, Jane Campion, Sally Potter, Julie Dash and others.