Schulman's eighth collection of poems is "The Marble Bed" (Turtlepoint Press, 2020).
Wallace Shawn wrote of her poems, "When I read her, she makes me want to live to be four hundred years old, because she makes me feel there is so much out there, and it's unbearable to miss any of it," and Harold Bloom wrote of The Paintings of Our Lives: "These elegiac lyrics are reveries upon art, street scenes, and the beloved dead.
[2] Her poetry is described by Mary Ann Caws in "Grace Schulman's Seeing," from In the Frame: Women's Ekphrastic Poetry, edited by Jane Hedley (U of Delaware Press); and by David Mason, in "Grace Schulman's Songs of Praise", Sewanee Review.
Editor of The Poems of Marianne Moore (Viking Penguin 2003), from 1972 to 2006 Schulman served as Poetry Editor of The Nation, where she published poems by Octavio Paz, W. S. Merwin, and May Swenson,[5] and from 1973 to 1985 as director of the Poetry Center, 92nd Street Y, where she founded a contest then called "Discovery—The Nation.
3 and 4, The Paris Review, "American Solitude," "The Paintings of Our Lives," Young Woman Drawing," "Margaret Fuller."