[4] With those that remained, passers-by added fragments of musical notation, drawings, writing, graffiti, and abstract marks.

[6] Steve Beresford conducted a nine-piece ensemble of strings, brass, guitar, piano, harp, and percussion.

[13] When Beresford previewed the composition, The Guardian denounced it as "offensive" and commented that the performance sounded "like every other left-field collage of scrape and hoot cobbled together to bolster the elitism of a tiny audience.

[9] After the album's release, Pitchfork Media said that it "rarely coheres into something larger than a collection of sonic events" and described the result as "uneven".

[14] PopMatters joked that "your enjoyment of my review might be increased if you understand that it is comprised of words randomly contributed by other people.